The Dastgāh Concept in Persian Music

The Dastgāh Concept in Persian Music

Hormoz Farhat
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The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.
Categorias:
Ano:
1990
Editora:
Cambridge University Press
Idioma:
english
Páginas:
213
ISBN 10:
0521542065
ISBN 13:
9780521542067
Série:
Cambridge Studies in Ethnomusicology
Arquivo:
PDF, 6.57 MB
IPFS:
CID , CID Blake2b
english, 1990
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